Renowned Gaffer John Higgins Reveals Secrets Behind Lighting Some of...
Just about every cinematographer will tell you the same thing: their work wouldn't be half as good without the help of their most trusted gaffer. This can be attributed to the fact that lighting...
View ArticleShould the Oscar for Best Cinematography Be Split into Two Separate Categories?
We've talked quite a bit about online petitions lately. First it was Kentucker Audley satirically urging independent filmmakers to give up their dreams for the greater good of the film industry. Then,...
View ArticleWhy Emmanuel Lubezki is One of the Best DPs of All Time
Few cinematographers are as universally lauded and professionally respected as Emmanuel Lubezki. After watching this video tribute from Vimeo user Borealisk, you'll see why. Questionable music choices...
View ArticleLooking Back at the Best Cinematography of 2014
It's been one hell of a year for the craft of cinematography. Nowhere is that more apparent than in Jacob T. Swinney's subtle, well-executed supercut of a few of 2014's most memorable cinematographic...
View ArticleCinematography Tutorial: Why Manipulating Character Size Is an Incredibly...
We've all heard the age-old adage that shooting a character from below makes them appear larger and seem more powerful. However, that's just the tip of the iceberg when it comes to the power of...
View ArticleHow to Light a Film that Looks Like One Continuous Take: Chivo Talks 'Birdman'
Blocking and choreographing a feature film to look like one continuous take is a daunting task on its own. But how in the hell do you light something like that? We've already taken a quick look at...
View ArticleEmmanuel Lubezki Is Using the ALEXA 65 on His Next Project, Iñárritu’s 'The...
Emmanuel Lubezki always seems to be at the cutting edge of digital cinema technology. Chivo, who just won his second consecutive Oscar for Best Cinematography for his incredible work on Birdman, is...
View ArticleThe Incredible Trailer for 'The Revenant' Gives Us Our First Taste of Alexa...
Christmas can't come soon enough. First it was announced that Tarantino's latest flick, The Hateful Eight (which was shot in 65mm anamorphic), will get the widest 70mm release in over 20 years. That...
View Article6 Secrets from Legendary Collaborators Alfonso Cuarón and Emmanuel Lubezki
Childhood friends and longtime collaborators Alfonso Cuarón and Emmanuel Lubezki bared all at Tribeca. Y Tu Mama También is one of the movies that made me want to be a filmmaker, and Children of Men...
View Article4 Cinematic Techniques Iñárritu Emboldens Us To Try
Can Alejandro González Iñárritu’s “visual poetry” push you outside of your cinematic comfort zone? We are big fans of the never-ending fountain of creativity spilling out of Mexico (what is in the...
View ArticleRenowned Gaffer John Higgins Reveals Secrets Behind Lighting Some of...
Just about every cinematographer will tell you the same thing: their work wouldn't be half as good without the help of their most trusted gaffer. This can be attributed to the fact that lighting...
View ArticleShould the Oscar for Best Cinematography Be Split into Two Separate Categories?
We've talked quite a bit about online petitions lately. First it was Kentucker Audley satirically urging independent filmmakers to give up their dreams for the greater good of the film industry. Then,...
View ArticleWhy Emmanuel Lubezki is One of the Best DPs of All Time
Few cinematographers are as universally lauded and professionally respected as Emmanuel Lubezki. After watching this video tribute from Vimeo user Borealisk, you'll see why. Questionable music choices...
View ArticleLooking Back at the Best Cinematography of 2014
It's been one hell of a year for the craft of cinematography. Nowhere is that more apparent than in Jacob T. Swinney's subtle, well-executed supercut of a few of 2014's most memorable cinematographic...
View ArticleCinematography Tutorial: Why Manipulating Character Size Is an Incredibly...
We've all heard the age-old adage that shooting a character from below makes them appear larger and seem more powerful. However, that's just the tip of the iceberg when it comes to the power of...
View ArticleHow to Light a Film that Looks Like One Continuous Take: Chivo Talks 'Birdman'
Blocking and choreographing a feature film to look like one continuous take is a daunting task on its own. But how in the hell do you light something like that? We've already taken a quick look at...
View ArticleEmmanuel Lubezki Is Using the ALEXA 65 on His Next Project, Iñárritu’s 'The...
Emmanuel Lubezki always seems to be at the cutting edge of digital cinema technology. Chivo, who just won his second consecutive Oscar for Best Cinematography for his incredible work on Birdman, is...
View ArticleThe Incredible Trailer for 'The Revenant' Gives Us Our First Taste of Alexa...
Christmas can't come soon enough. First it was announced that Tarantino's latest flick, The Hateful Eight (which was shot in 65mm anamorphic), will get the widest 70mm release in over 20 years. That...
View Article6 Secrets from Legendary Collaborators Alfonso Cuarón and Emmanuel Lubezki
Childhood friends and longtime collaborators Alfonso Cuarón and Emmanuel Lubezki bared all at Tribeca. Y Tu Mama También is one of the movies that made me want to be a filmmaker, and Children of Men...
View Article4 Cinematic Techniques Iñárritu Emboldens Us To Try
Can Alejandro González Iñárritu’s “visual poetry” push you outside of your cinematic comfort zone? We are big fans of the never-ending fountain of creativity spilling out of Mexico (what is in the...
View Article
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